PORTRAIT ART
Identify large shape groups in the provided photographs and outline those shapes with the lasso tool for clean, decisive shape grabs (this step does not have to be perfect but should be close enough to original photo that the end result resembles a plane breakdown of the subject)
Perform this shape pass on all major shapes for both light and dark values (a good trick is to posterize the photo so the abstract shapes that identify the face are simplified and easier to define).
Fill each shape pass with an appropriate color so your end result resembles a reductive abstract interpretation of the face
Selectively blend these hard edged shapes you created to show plane turns in the soft areas of the facial structure. Maintain hard edges around bony surfaces or areas where the skull is closest to the skin.
Using Photoshop’s quick mask function add a manually painted texture (canvas or gesso) and apply that texture as an overlay to the base colors you’ve established to push a more traditional look
OVERALL PAINT STYLE SHOULD MIMIC ILLUSTRATED MOVIE POSTER ART
• DO mimic traditional mediums like Airbrush, Gouache, Acrylic or Colored Pencils
• DO produce realistic depictions of the actors with stylized illustrative qualities
• DO illustrate the images from scratch as if you were illustrating with traditional mediums
• DO NOT simply push pixels from the actual photo
• DO NOT leave any indications of the actual photos
CREATE A UNIFIED COLOR PALETTE
if 1 character is lit primarily in a blue light, but the majority of the other characters are lit in normal sun, adjust the blue lit character to appear as if it’s lit in normal sun
ADJUST SUBJECTS EYE SO THEY APPEAR TO BE LOOKING FORWARD
PAINT THE CHARACTERS SEPARATE FROM THE BACKGROUND
deliver a Photoshop file @ W 1400 X H 1000 resolution
the file should contain 1 character and 1 background, each on their own layers